Browse Items (1211 total)

Cover ofRAW: Open Wounds from the Cutting Edge of Commix. Image copyright owned by Gary Panter.

Cover ofThe ACME Novelty Library: Final Report to Shareholders and Saturday Afternoon Rainy Day Fun Book

Cover page of Rubaiyat of Omar khayam translated by Edward Fitzgerald published by John Lane publisher in London in 1901

Cover page of Rubaiyat of Omar Khayam, translated by Fitzgerald and published by Siegle, Hill & Co. in 1911

Cover Page of Fitzgerald's Rubaiyat published by Hodder & Stoughton in 1909

Cover page of Fitzgerald's Rubaiyat published by Leopold B. Hill in 1920

Cover page of Rubaiyat of Omar Khayam translated by Fitzgerald. Published by Routledge in 1912.

High resolution scan of cover and spine of Smith's 1835 edition ofThe Romance.

Cover to "The Cowslip, or More Cautionary Tales in Verse." Originally printed 1811, reprinted 1899.

Critical reviews of BLAST vol. 1.

A cropped image from a two page spread, featuring Simon Brett's comic vignettes of Antiochus' incestuous relationship and the severed heads of potential courters for his daughter. The type-setting was performed by Crispin Elsted. The paper is Zerkal…

Cropped image of Simon Brett's woodcut imprint of Antiochus' incestuous relationship with his daughter. In this edition, Brett frequenlty uses comic-book style images to imply the "dumbshows" or mime work which would have likely occurred in the…

Close up of "What reader I desire to have" from the table of contents in Donne's Biathanatos.

An image of Simon Brett's engraving featuring Diana descending upon a slumbering Pericles. The paper is Zerkal paper.

A cropped image of the Gower's opening lines from the Third Folio second edition of Pericles. The Elizabethan spelling would have been left up to the compositor, in this case, there were likely three.

A cropped image of the left page from a two page spread, featuring a courtly dance in Pericles, Prince of Tyre. Simon Brett engraved this woodcut. The type-setting was performed by Crispin Elsted. Pericles is the centre figure. The paper is Zerkal…

A cropped image of the left portion of a two page spread, featuring the first storm scene in Pericles. Pericles stands aboard a rocking deck, shouting his lines at a vengeful Poseidon. Simon Brett engraved this woodcut. The type-setting and design…

The left cropped image of a two page woodcut spread by Simon Brett featuring Thaïsa reuniting with Pericles and Marina. The type-setting was performed by Crispin Elsted. The paper is Zerkal paper.

A cropped image of Simon Brett's portrait of an aged Pericles with Crispin Elsted's type-set beneath, all on Zerkal paper. Brett carved the image from wood supplied by Barbarian Press. There are a series of these portraits throughout the book to…