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End rubricated text. Regla de la Sagrada Orden de Penitencia.
Rubricated Latin text (Glory be to God, and the Son, and the Holy Sprit).
End text. Regla de la Sagrada Orden de Penitencia.
End text in red and black ink.
Endpaper of Tannhauser
End-papers of Tannhauser: A synopsis of the motifs of Tannhauser
Engraving on "The First Part: Of Law and Nature" of Donne's Biathanatos
An engraved "A" at the beginning of "The First Part: Of Law and Nature" in Donne's Biathanatos.
Errata Page in The History of Edinburgh
The errata page of William Creech's 1779 printing of The History of Edinburgh, including instructions to the bookbinder.
Errata Page in The Present State of Nova Scotia
The errata page as it appears in the second edition of Hollingsworth's The Present State of Nova Scotia.
Etching of Robert Michael Ballantyne
Etching of Robert Michael Ballantyne
Ethel Bryant (later Wilson) in a greenhouse
photograph: Ethel Wilson in greenhouse
Evidence of Flower Pressing in The Present State of Nova Scotia
Evidence of a flower having been pressed in the pages of this copy of S. Hollingsworth's The Present State of Nova Scotia.
Example of Footnotes in The Present State of Nova Scotia
An example of footnotes in Hollingsworth's The Present State of Nova Scotia featuring two different symbols.
Excerpt from the Preface of Sir Walter Ralegh's History of the World exemplifying his use of theatrical language and Richard III
Excerpt from the Preface to Sir Walter Ralegh's History of the World that demonstrates his use of theatrical language when describing the Reign of Richard III.
Excerpt from the Preface of Sir Walter Ralegh's History of the World, 1614
Excerpts from the Preface to Sir Walter Ralegh's History of The World exemplifying his use of theatrical language.
Exterior (including spine) of The Romance of the Forest.
Photograph of exterior of the 1835 Joseph Smith edition ofThe Romance of the Forest, exhibiting advanced dilapidation.
Exterior of The Romance
Photograph of exterior, featuring pages / main body of the text, for Smith's 1835 edition of the novel.
Facsimile of the Initials on Millais "Lorenzo and Isabella"
A facsimile of the initialism 'PRB' as written originally on John Everett Millais' painting, "Lorenzo and Isabella" from 1848. The initials stand for Pre-Raphaelite Brotherhood.
Famous Monsters, 1967 Yearbook, Cover
Cover of Famous Monsters of Filmland's yearly "yearbook" highlighting the previous year's work