Browse Items (1211 total)

A cropped image of the left portion of a two page spread, featuring the first storm scene in Pericles. Pericles stands aboard a rocking deck, shouting his lines at a vengeful Poseidon. Simon Brett engraved this woodcut. The type-setting and design…

A cropped image of the left page from a two page spread, featuring a courtly dance in Pericles, Prince of Tyre. Simon Brett engraved this woodcut. The type-setting was performed by Crispin Elsted. Pericles is the centre figure. The paper is Zerkal…

A cropped image of a two page spread, featuring Pericles and Thaïsa dancing. The image is printed from an engraving done by Simon Brett. The type-setting was performed by Crispin Elsted. The paper is Zerkal paper.

A cropped image of a two page spread, featuring a portrait of Pericles engraved by Simon Brett. The type-setting was performed by Crispin Elsted. The paper is Zerkal paper.

An image of Simon Brett's engraving featuring Diana descending upon a slumbering Pericles. The paper is Zerkal paper.

The left cropped image of a two page woodcut spread by Simon Brett featuring Thaïsa reuniting with Pericles and Marina. The type-setting was performed by Crispin Elsted. The paper is Zerkal paper.

The right page of a two page spread featuring Simon Brett's engraving of Pericles and Marina being reunited with Thaïsa. This is the second version of the woodcut--the first was rejected by Jan Elsted, who thought Pericles' expression could be more…

A cropped image of Simon Brett's portrait of an aged Pericles with Crispin Elsted's type-set beneath, all on Zerkal paper. Brett carved the image from wood supplied by Barbarian Press. There are a series of these portraits throughout the book to…

A cropped image of the title page for Pericles, Prince of Tyre. The type-faces are Poliphilus and Blado. The title itself is in purple--a thematic color for this particular edition. The light gray lettering in the centre of the spread is…

Cropped image of Simon Brett's woodcut imprint of Antiochus' incestuous relationship with his daughter. In this edition, Brett frequenlty uses comic-book style images to imply the "dumbshows" or mime work which would have likely occurred in the…

Vorticist/Futurist illustration of soldiers marching in uniform. This is the last illustration of Nevinson's used by the Vorticists before he broke relations with Wyndham Lewis, siding instead with F.T. Marinetti and the Futurists.

A collage of images of women protesting in June 1982's Heresies, created by Dolores Neuman

From page 17 of June 1982's Heresies. Janet Olivia Henry's collage called "Coming Soon, Daisy's Christian Cullid Lady"

Critical reviews of BLAST vol. 1.

A collage entitled "reading between the lines" created by Helen S. Langa in June 1982's Heresies

List of additional publications from John Lane. Unlike the first volume of BLAST, which boasted blue lines around its publisher advertisement pages, this one is entrapped by a black border, due to the unavailability of blue ink.

List of designs and designers in BLAST 2.

Image of the first log of the Frankenstein TV Movie Guide

Image of CoF's nostalgia article on radio horror/sci-fi/fantasy